The midnight hour approaches in an almost empty all-night diner. Mari sips her coffee and glances up from a book as a young man, a musician, intrudes on her solitude. Both have missed the last train home. The musician has plans to rehearse with his jazz band all night, Mari is equally unconcerned and content to read, smoke and drink coffee until dawn. They realise they've been acquainted through Eri, Mari's beautiful sister. The musician soon leaves with a promise to return. Shortly afterwards Mari will be interrupted a second time by a girl from the Alphaville Hotel; a Chinese prostitute has been hurt by a client, the girl has heard Mari speaks fluent Chinese and requests her help.
Meanwhile Eri is at home and sleeps a deep, heavy sleep that is 'too perfect, too pure' to be normal; pulse and respiration at the lowest required level. She has been in this soporific state for two months; Eri has become the classic myth - a sleeping beauty. But tonight as the digital clock displays 00:00 a faint electrical crackle is perceptible, a hint of life flickers across the TV screen, though the television's plug has been pulled.
Murakami, acclaimed master of the surreal, returns with a stunning new novel, where the familiar can become unfamiliar after midnight, even to those that thrive in small hours. With After Dark we journey beyond the twilight. Strange nocturnal happenings, or a trick of the night?
The audio rights are handled by Alice Lutyens.
Daisy Meyrick manages the translation rights for After Dark
Translation Rights Sold
The Sunday Times
A complex work by a thinker who, like his characters, defies
The Sunday Times Full Review
Standing sentry above the common gloom, Murakami detects phosphorescence everywhere, but chiefly in the auras around people, which glow brightest at night and when combined but fade at dawn, when we go our separate ways. Walter Kirn
The New York Times