John MacMillan

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But it is MacMillan’s dizzying vocal acrobatics – wry, pained, prudish, silly, terrified – that propel Killer beyond the realm of the radio play and make these characters come to life

Corrie Tan
The Guardian on Killer

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John MacMillan holds the audience in the palm of his hand from the very beginning, effortlessly entertaining and chilling in equal measure. {...] it is hard to imagine how a show in which there's nothing to watch can be so gripping, but this is largely down to MacMillan's masterful approach

Debbie Gilpin
Broadway World on Killer

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John MacMillan [is] beguiling as a former lover

Susannah Clapp
The Guardian on Yerma

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John Macmillan’s Joey, a failed or failing boxer, is a disturbingly brooding presence. 

Henry Hitchings
Evening Standard on The Homecoming

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