John Macmillan’s Joey, a failed or failing boxer, is a disturbingly brooding presence.
Evening Standard on The Homecoming
John MacMillan [is] beguiling as a former lover
The Guardian on Yerma
But it is MacMillan’s dizzying vocal acrobatics – wry, pained, prudish, silly, terrified – that propel Killer beyond the realm of the radio play and make these characters come to life
The Guardian on Killer