Jane Harris

Translation Rights Kate Cooper, +44 020 7393 4425 Email Kate Cooper

Gillespie And I

Nominated Popular Fiction Book of the Year at the Galaxy National Book Awards book
UK & Comm Faber & Faber (Ed. Angus Cargill)
World HarperCollins (Ed. Claire Wachtel)
The eagerly awaited follow up to Jane Harris's hugely acclaimed debut, The Observations.

As she sits in her Bloomsbury home, with her two birds for company, elderly Harriet Baxter sets out to relate the story of her acquaintance, nearly four decades previously, with Ned Gillespie, a talented artist who never achieved the fame she maintains he deserved.

Back in 1888, the young, art-loving Harriet arrives in Glasgow at the time of the International Exhibition. After a chance encounter she befriends the Gillespie family and soon becomes a fixture in all of their lives. But when tragedy strikes - leading to a notorious criminal trial - the promise and certainties of this world all too rapidly disintegrate into mystery and deception...

Kate Cooper manages the translation rights for Gillespie And I

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Contact Nick Marston for more information

Audio Rights


The audio rights are handled by Alice Lutyens.


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Uitgeverij De Geus
Neri Pozza Editore
Eksmo Publishers
Gillespie And I
Gillespie And I

To detail even minor aspects of the plot twists in "Gillespie and I" would necessitate an additional crime: You'd want to kill me. So delectably well has Harris constructed this psychological thriller that even the slightest hint of what's to come would spoil things.
Julia Keller
Chicago Tribune
Full Review

A deliciously morbid, almost smutty story, a compendium of inappropriate wants and smarmy desires. Carolyn See
The Washington Post

Art, death and intrigue
This sharply written intrigue is a triumph of suggestion and possibility that exerts a tenacious hold on the imagination. James Urquhart
Financial Times
Full Review

Confessions of a Victorian groupie
Gillespie and I is a masterpiece of irony and grotesquerie, told with the straightest of faces. One for the long winter evenings...it lingers in the memory after you've finished it. Brandon Bobshaw
The Independent
Full Review

It's a tour de force of ventriloquism: the voice is perfect – cultivated, critical, arch, genteel and a touch spiteful – and one believes wholly in Harriet Baxter, both as a young artistic groupie and as an elderly spinster of diminished means. Brandon Robshaw
The Independent

A Booker-worthy novel that I want to read again Daisy Goodwin
The Sunday Times
Full Review

This really is a treat Rodney Troubridge
Full Review

Those who loved Jane Harris’s Orange Prize-shortlisted The Observations will herald her return with Gillespie and I, the story of a mysterious friendship at the hinge of the 20th century Erica Wagner
The Times Hottest Reads of 2011

Mysterious and utterly engaging
Stylist Must Read of the Year

...an absolute cracker and I was awake for long hours in the night racing to the end of it Harriet Devine
, http://harrietdevine.typepad.com/harriet_devines_blog/
Full Review

Harris's writing is a joy, excitable yet controlled, bawdy yet respectable Catherine Taylor
Sunday Telegraph
Full Review

...with Gillespie and I, Jane Harris dazzles us in every possible way Camilla Pia
The List
Full Review

A chilling tale reminiscent of both Kate Summerscale's The Suspicions of Mr Whicher and Julian Barnes's novel Arthur and George ... this enthralling tale will delight those with a taste for the seamy underside of Victorian life Suzi Feay
Finnancial Times

An engrossing read

It is rare to read a literary novel where the storytelling is as skilful as the writing is fine, but in Gillespie and I, Harris has pulled off the only too rare double whammy — a Booker-worthy novel that I want to read again. Daisy Goodin
The Sunday Times

Another subversive chunk of Victoriana, stuffed with incident like a horsehair sofa, and a creepy, chortling narrative that rattles along at locomotive speed despite the book's length.
The Telegraph

What stands out is the way in which this narrative provokes us to think again about what we imagine, and what we hope for, and about the burdens that those hopes and imaginings impose upon those around us. John Burnside
The Times
Full Review