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Ferguson's performance is one of complexity. He creates three characters who are similar enough to carry the weight of a debate about nature and nurture, but distinct enough to differentiate them clearly.

Thom Dibdin
The Stage on A Number

Brian Ferguson’s Orgilus is a wiry, dynamic presence, adept both at expressing the play’s most cruelly visceral sentiments and its moments of dry comedy.

Rachel Halliburton
Time Out on The Broken Heart

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